Gallery 102, American Art, first floor (Miller/Worley Gallery)
Main Building
Gallery 102, American Art, first floor (Miller/Worley Gallery)
Main Building
Famous as one of Copley's finest works soon after it was painted, this portrait shows the artist at the height of his powers. Born in Boston in 1738 into a poor immigrant family, Copley was self-taught. He developed a highly finished style that rendered the features, costumes, and settings of his subjects with remarkable accuracy. Copley always kept a keen eye on his competition, and he may have been inspired to paint both Sarah and Thomas Mifflin on a single canvas by his contemporary Charles Willson Peale, who had recently completed a group portrait of the Philadelphia Cadwalader family that was admired for its portrayal of family unity and affection. Here, Copley depicts not only the features and costumes of his sitters with his famed skill, but creates an image of marriage as an affectionate, equal partnership--an innovative concept in American portraiture at the time.
Gallery 102, American Art, first floor (Miller/Worley Gallery)
Title: | Portrait of Mr. and Mrs. Thomas Mifflin (Sarah Morris) |
Date: | 1773 |
Artist: | John Singleton Copley (American, 1738–1815) |
Medium: | Oil on ticking |
Dimensions: | 61 5/8 × 48 inches (156.5 × 121.9 cm) Framed: 67 1/2 × 54 1/2 × 2 inches (171.5 × 138.4 × 5.1 cm) |
Classification: | Paintings |
Credit Line: | 125th Anniversary Acquisition. Bequest of Mrs. Esther F. Wistar to The Historical Society of Pennsylvania in 1900, and acquired by the Philadelphia Museum of Art by mutual agreement with the Society through the generosity of Mr. and Mrs. Fitz Eugene Dixon, Jr., and significant contributions from Stephanie S. Eglin, and other donors to the Philadelphia Museum of Art, as well as the George W. Elkins Fund and the W. P. Wilstach Fund, and through the generosity of Maxine and Howard H. Lewis to the Historical Society of Pennsylvania, 1999 |
Accession Number: | EW1999-45-1 |
Geography: | Made in Boston, Massachusetts, United States, North and Central America |
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Gallery 102, American Art, first floor (Miller/Worley Gallery)
Main Building