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The Bachelors Twenty Years Later

1943
Roberto Matta (Chilean, 1911–2002)

This painting belongs to the “Psychological Morphologies” series, in which Matta sought to discover regions of space hitherto unexplored in the realm of art. It specifically pays homage to Marcel Duchamp’s great allegory of frustrated desire, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) of 1915–23.

Matta admired Duchamp’s explorations of science and eroticism and he gave these themes new energy in an explosion of nebulous vapors that swirl in a vision of primal chaos.


Object Details

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