Gallery 288, Modern and Contemporary Art, second floor (Brodsky Gallery)
Main Building
Gallery 288, Modern and Contemporary Art, second floor (Brodsky Gallery)
Main Building
Margit Pogany, an art student living in Paris, sat for a portrait with Constantin Brancusi in 1910 or early 1911. Brancusi’s sculpture of Pogany gained immense notoriety for its shockingly austere, smoothly machine-like appearance when first exhibited as a plaster cast in New York in 1913. In the same year, having returned to her native Budapest, Pogany made this work, her only known self-portrait, with her face half-hidden in shadow and a pensive hand-on-cheek pose similar to the Brancusi portrait. Pogany, a Hungarian Jew, was documented as a Holocaust survivor after the Second World War and resettled in Australia in 1948. Her family sold her painted self-portrait to the museum, whose collection includes two versions of Mademoiselle Pogany by Brancusi in white marble (1933-24-1; 1950-134-21).
Gallery 288, Modern and Contemporary Art, second floor (Brodsky Gallery)
Title: | Self-Portrait |
Date: | 1913 |
Artist: | Margit Pogany (Hungarian, 1879–1964) |
Medium: | Oil on cardboard |
Dimensions: | 14 7/8 x 18 1/16 inches (37.8 x 45.9 cm) |
Classification: | Paintings |
Credit Line: | Purchased with the Thomas Skelton Harrison Fund, 1966 |
Accession Number: | 1966-173-1 |
Geography: | Made in Hungary, Europe |
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Gallery 288, Modern and Contemporary Art, second floor (Brodsky Gallery)
Main Building