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The Stallion Tota and His Groom

1893
Artist/maker unknown, Indian or Pakistani Attributed to Lal Singh
This portrait of the stallion Tota (literally "parrot") is much like a photograph in its shading, shadows, receding perspective, and composition. While Tota is clearly the focus of the picture, the artist Lal Singh does not depict the animal's importance by increasing its size, as was typical. Instead, he places the horse at the very front of the painting and then surrounds Tota with proportional secondary elements, such as the setting and the groom. As photography became popular with late-nineteenth-century patrons, court painters adopted its visual qualities in order to sell their work.

Object Details

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