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All 2014 Exhibitions

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Woman’s Ensemble: Coat and Dress, fall/winter 1986; Woman’s Dress, fall/winter 1986; Woman’s Dress, fall/winter 1988; by Patrick Kelly (Philadelphia Museum of Art: Promised gifts of Bjorn Guil Amelan and Bill T. Jones)
Patrick Kelly: Runway of Love
April 26–December 6, 2014,
Special Exhibitions Gallery, first floor, Perelman Building
This retrospective presents the joyful and colorful fashions of African American designer Patrick Kelly, who took Paris by storm in the 1980s. Inspired by his Mississippi roots, the nightclubs of New York and Paris, Josephine Baker, and celebrated couturiers Coco Chanel and Elsa Schiaparelli, Kelly infused his bold designs with a sly sense of humor, subverting not only fashion but also racial stereotypes.
“Paloma” Cigarette Dress, Fall/Winter 2013 (Eccentric Lady Collection), designed by Gerlan Jeans in collaboration with Degen, New York (On loan from Gerlan Jeans)
Gerlan Jeans Loves Patrick Kelly
April 26–December 6, 2014,
Joan Spain Gallery, first floor, Perelman Building
The legacy of the late African American fashion designer Patrick Kelly (c. 1954–1990) endures in the whimsical street-wear brand Gerlan Jeans. Launched in 2009 by New York–based designer and graphic artist Gerlan Marcel (born 1976), Gerlan Jeans reinterprets Kelly's signature bows, buttons, and other bold embellishments to create clothes for men and women "who have a sense of fearlessness in the way they dress."
Garnet Realm, 1941-1943, Richard Pousette-Dart, American, 1916 - 1992, 2012-60-1
Full Circle: Works on Paper by Richard Pousette-Dart
September 12–November 29, 2014,
Honickman and Berman Galleries, ground floor
Full Circle surveys the long and extremely prolific career of one of the twentieth century's most creative draftsmen, Richard Pousette-Dart (American, 1916–1992). Focused on his works on paper, the exhibition explores his remarkably varied use of materials and techniques, which often involved layering and scraping, scribbling and dripping, dotting and blotting. Over the course of nearly seventy years, his imagery evolved through various approaches in an attempt "to express the spiritual nature of the universe."
Nachtstilleben (Night Still Life), 2011 (negative); 2013 (print), Wolfgang Tillmans, German (active London), born 1968, 2013-48-1
In Dialogue: Wolfgang Tillmans
June 30–October 25, 2014,
Julien Levy Gallery, first floor, Perelman Building
In 2013 the Museum acquired Nachtstilleben (Night Still Life) by Wolfgang Tillmans, one of the most influential photographers working today. This exhibition places works by artists including Andy Warhol, Thomas Demand, and Gerhard Richter in dialogue with Night Still Life and seven additional photographs by Tillmans.
"Blaue Blume" Tea Cup, 2007 Designed by Tina Tsang 3 9/16 × 6 5/16 × 2 9/16 inches (9 × 16 × 6.5 cm) Ceramic 8-2014-2
The Main Dish
June 30–September 27, 2014,
Collab Gallery, first floor, Perelman Building
One of the most common assumptions about the kitchen is that it is a woman's space. With this in mind, The Main Dish looks at how modern and contemporary kitchenware reflects attributes of the model homemaker.
Johannes Vermeer Young Woman Seated at a Virginal c. 1670-72 Oil on canvas 9 7/8 x 7 7/8 in. (25.1 x 20 cm) ©The Leiden Collection, New York
Vermeer's Young Woman Seated at a Virginal
October 25, 2013–September 20, 2014,
Gallery 264, second floor
Vermeer painted less than forty pictures during his career and this one, Young Woman Seated at a Virginal, is believed to be one of his last. It is also the only remaining canvas by this great Dutch master to be in private hands. The Museum is immensely grateful to the Leiden Collection for the exceedingly rare opportunity to display this work; indeed, it has been almost ten years since a painting by Vermeer has been on view in Philadelphia.
Making a Classic Modern: Frank Gehry's Master Plan for the Philadelphia Museum of Art
June 30–August 31, 2014,
Dorrance Special Exhibition Galleries, first floor
Presented for the first time in this exhibition is the comprehensive design for the renewal and expansion of the Philadelphia Museum of Art by internationally celebrated architect Frank Gehry. Best known for the expressive sculptural forms of buildings such as the Guggenheim Museum in Bilbao, Spain, Gehry's approach to this project is dramatically different and virtually unique.
Untitled (girls' faces flashed in bus window), 1973, Mark Cohen, American, born 1943, 2011-81-1
Artificial Light: Flash Photography in the Twentieth Century
May 23–August 2, 2014,
Honickman Gallery, ground floor
Explore diverse examples of flash photography, which gained widespread use in the 1920s with the invention of the mass-produced flashbulb.
Le Jouer de Flute, 1959, Pablo Ruiz y Picasso, Spanish, 1881 - 1973. Published by Conseil National du Movement de la Paix, 35 Rue de Clichy, Paris, 1960-77-2
Picasso Prints: Myths, Minotaurs, and Muses
May 23–August 2, 2014,
Berman Gallery, ground floor
This exhibition focuses on Pablo Picasso's response to the world of classical antiquity in nearly fifty prints from four critical decades of his career. His wide-ranging interests in ancient art, mythology, and literature were a continual source of inspiration for the compulsively creative artist, who infused them with his personal mythology.
Sun, Moon, and Five Peaks 19th century Korea Eight-fold screen; colors on paper Overall 82 11/16 x 217 7/16 inches (210 x 552.3 cm) Private Collection
Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910
March 1–May 25, 2014,
Treasures from Korea celebrates the artistic achievements of the Joseon dynasty, a line of monarchs that ruled for more than five hundred years and left a substantial legacy for modern Korea. A variety of objects—including painted screens, scrolls, calligraphy, furnishings, costumes, accessories, and ritual wares—explore the roles of king and court, the distinct spheres of men and women in society, and religious beliefs. This is the first full-scale American exhibition to be devoted to art of the Joseon dynasty.
Live Cinema/Fiona Tan: Inventory
December 13, 2013–May 10, 2014,
Julien Levy Gallery, first floor, Perelman Building
Fiona Tan: Inventory is a multiprojection installation inviting viewers to consider museum collections as well as the human compulsion to capture the transience of time and lived experience. Filmed at the Sir John Soane Museum in London over a period of four days in September 2012, Inventory presents intimate details of the British architect's (1753–1837) personal antiquities collection housed in one of the most unique private residences to become a public museum.
Midnight Blue, 1973–74, by Michael Snow (Centre Georges Pompidou, Paris: Musée National d’Art Moderne/Centre de Création Industrielle) © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, New York
Michael Snow: Photo-Centric
January 31–April 26, 2014,
Honickman and Berman Galleries, ground floor
Conceived in close collaboration with Michael Snow—one of the most important experimental filmmakers of his generation—this exhibition is a focused survey of the Canadian artist's photography-based work, which has not been the subject of a solo museum exhibition in the United States since the 1970s. Throughout a career that has also included painting, sculpture, installations, and music, Snow (born 1928) has employed photography in unique and innovative ways. This exhibition presents the best examples of his use of the medium from 1962 to 2003.
Lockheed Lounge, 1988 Designed by Marc Newson, Australian Riveted aluminum, fiberglass, rubberized paint 34 1/2 × 65 3/4 × 24 1/2 inches (87.6 × 167 × 62.2 cm) Lent by Carnegie Museum of Art, Pittsburgh Photography © Karin Catt
Marc Newson: At Home
November 22, 2013–April 19, 2014,
Collab Gallery, first floor, Perelman Building
The most influential industrial designer of his generation, Marc Newson (Australian, born 1963) has designed everything from a dish rack to a personal jet, some pieces mass-produced, others one-offs, for both companies and art galleries. As creative director of Qantas Airways, Newson redesigned the interiors and fittings of the airline's Airbus fleet, including cabin lighting and seats as well as its in-flight tableware.
Soft Construction with Boiled Beans (Premonition of Civil War), 1936, Salvador Dalí, Spanish, 1904 - 1989, 1950-134-41
The Surrealists: Works from the Collection
November 2, 2013–March 1, 2014,
Special Exhibitions Gallery, first floor, Perelman Building
This exhibition provides an account of Surrealism as told through the Museum's unique collection of great masterpieces and lesser-known works of the movement, as well as its deep holdings of period journals, catalogues, and archival material. Bringing together a diverse and exceptional group of more than seventy paintings, sculptures, photographs, drawings, prints, and books, the exhibition will highlight the inspired minds and imaginations of the most celebrated Surrealists
Malcolm X #3, 1969, Artist/maker: Barbara Chase-Riboud, American, born 1939, 2001-92-1
Barbara Chase-Riboud: The Malcolm X Steles
September 13, 2013–January 19, 2014,
Galleries 172, 173, Alter Gallery 176, and Great Stair Hall
Bringing together more than forty works from the United States and Europe, this exhibition examines Barbara Chase-Riboud's artistic career, focusing primarily on her important Malcolm X sculptures. Five works from that series—among them the museum's Malcolm X #3 of 1970—and five closely related sculptures are included.
The City, 1919, Artist/maker: Fernand Léger, French, 1881 - 1955, 1952-61-58
Léger: Modern Art and the Metropolis
October 13, 2013–January 4, 2014,
Dorrance Special Exhibition Galleries, first floor
This interdisciplinary exhibition takes as its inspiration and point of departure Fernand Léger's 1919 painting The City, a cornerstone of the Philadelphia Museum of Art's collection and one of the most important works in the history of modern art.
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Woman’s Ensemble: Coat and Dress, fall/winter 1986; Woman’s Dress, fall/winter 1986; Woman’s Dress, fall/winter 1988; by Patrick Kelly (Philadelphia Museum of Art: Promised gifts of Bjorn Guil Amelan and Bill T. Jones)
Patrick Kelly: Runway of Love
April 26–December 6, 2014,
Special Exhibitions Gallery, first floor, Perelman Building
This retrospective presents the joyful and colorful fashions of African American designer Patrick Kelly, who took Paris by storm in the 1980s. Inspired by his Mississippi roots, the nightclubs of New York and Paris, Josephine Baker, and celebrated couturiers Coco Chanel and Elsa Schiaparelli, Kelly infused his bold designs with a sly sense of humor, subverting not only fashion but also racial stereotypes.
“Paloma” Cigarette Dress, Fall/Winter 2013 (Eccentric Lady Collection), designed by Gerlan Jeans in collaboration with Degen, New York (On loan from Gerlan Jeans)
Gerlan Jeans Loves Patrick Kelly
April 26–December 6, 2014,
Joan Spain Gallery, first floor, Perelman Building
The legacy of the late African American fashion designer Patrick Kelly (c. 1954–1990) endures in the whimsical street-wear brand Gerlan Jeans. Launched in 2009 by New York–based designer and graphic artist Gerlan Marcel (born 1976), Gerlan Jeans reinterprets Kelly's signature bows, buttons, and other bold embellishments to create clothes for men and women "who have a sense of fearlessness in the way they dress."
Garnet Realm, 1941-1943, Richard Pousette-Dart, American, 1916 - 1992, 2012-60-1
Full Circle: Works on Paper by Richard Pousette-Dart
September 12–November 29, 2014,
Honickman and Berman Galleries, ground floor
Full Circle surveys the long and extremely prolific career of one of the twentieth century's most creative draftsmen, Richard Pousette-Dart (American, 1916–1992). Focused on his works on paper, the exhibition explores his remarkably varied use of materials and techniques, which often involved layering and scraping, scribbling and dripping, dotting and blotting. Over the course of nearly seventy years, his imagery evolved through various approaches in an attempt "to express the spiritual nature of the universe."
Nachtstilleben (Night Still Life), 2011 (negative); 2013 (print), Wolfgang Tillmans, German (active London), born 1968, 2013-48-1
In Dialogue: Wolfgang Tillmans
June 30–October 25, 2014,
Julien Levy Gallery, first floor, Perelman Building
In 2013 the Museum acquired Nachtstilleben (Night Still Life) by Wolfgang Tillmans, one of the most influential photographers working today. This exhibition places works by artists including Andy Warhol, Thomas Demand, and Gerhard Richter in dialogue with Night Still Life and seven additional photographs by Tillmans.
"Blaue Blume" Tea Cup, 2007 Designed by Tina Tsang 3 9/16 × 6 5/16 × 2 9/16 inches (9 × 16 × 6.5 cm) Ceramic 8-2014-2
The Main Dish
June 30–September 27, 2014,
Collab Gallery, first floor, Perelman Building
One of the most common assumptions about the kitchen is that it is a woman's space. With this in mind, The Main Dish looks at how modern and contemporary kitchenware reflects attributes of the model homemaker.
Johannes Vermeer Young Woman Seated at a Virginal c. 1670-72 Oil on canvas 9 7/8 x 7 7/8 in. (25.1 x 20 cm) ©The Leiden Collection, New York
Vermeer's Young Woman Seated at a Virginal
October 25, 2013–September 20, 2014,
Gallery 264, second floor
Vermeer painted less than forty pictures during his career and this one, Young Woman Seated at a Virginal, is believed to be one of his last. It is also the only remaining canvas by this great Dutch master to be in private hands. The Museum is immensely grateful to the Leiden Collection for the exceedingly rare opportunity to display this work; indeed, it has been almost ten years since a painting by Vermeer has been on view in Philadelphia.
Making a Classic Modern: Frank Gehry's Master Plan for the Philadelphia Museum of Art
June 30–August 31, 2014,
Dorrance Special Exhibition Galleries, first floor
Presented for the first time in this exhibition is the comprehensive design for the renewal and expansion of the Philadelphia Museum of Art by internationally celebrated architect Frank Gehry. Best known for the expressive sculptural forms of buildings such as the Guggenheim Museum in Bilbao, Spain, Gehry's approach to this project is dramatically different and virtually unique.
Untitled (girls' faces flashed in bus window), 1973, Mark Cohen, American, born 1943, 2011-81-1
Artificial Light: Flash Photography in the Twentieth Century
May 23–August 2, 2014,
Honickman Gallery, ground floor
Explore diverse examples of flash photography, which gained widespread use in the 1920s with the invention of the mass-produced flashbulb.
Le Jouer de Flute, 1959, Pablo Ruiz y Picasso, Spanish, 1881 - 1973. Published by Conseil National du Movement de la Paix, 35 Rue de Clichy, Paris, 1960-77-2
Picasso Prints: Myths, Minotaurs, and Muses
May 23–August 2, 2014,
Berman Gallery, ground floor
This exhibition focuses on Pablo Picasso's response to the world of classical antiquity in nearly fifty prints from four critical decades of his career. His wide-ranging interests in ancient art, mythology, and literature were a continual source of inspiration for the compulsively creative artist, who infused them with his personal mythology.
Sun, Moon, and Five Peaks 19th century Korea Eight-fold screen; colors on paper Overall 82 11/16 x 217 7/16 inches (210 x 552.3 cm) Private Collection
Treasures from Korea: Arts and Culture of the Joseon Dynasty, 1392-1910
March 1–May 25, 2014,
Treasures from Korea celebrates the artistic achievements of the Joseon dynasty, a line of monarchs that ruled for more than five hundred years and left a substantial legacy for modern Korea. A variety of objects—including painted screens, scrolls, calligraphy, furnishings, costumes, accessories, and ritual wares—explore the roles of king and court, the distinct spheres of men and women in society, and religious beliefs. This is the first full-scale American exhibition to be devoted to art of the Joseon dynasty.
Live Cinema/Fiona Tan: Inventory
December 13, 2013–May 10, 2014,
Julien Levy Gallery, first floor, Perelman Building
Fiona Tan: Inventory is a multiprojection installation inviting viewers to consider museum collections as well as the human compulsion to capture the transience of time and lived experience. Filmed at the Sir John Soane Museum in London over a period of four days in September 2012, Inventory presents intimate details of the British architect's (1753–1837) personal antiquities collection housed in one of the most unique private residences to become a public museum.
Midnight Blue, 1973–74, by Michael Snow (Centre Georges Pompidou, Paris: Musée National d’Art Moderne/Centre de Création Industrielle) © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, New York
Michael Snow: Photo-Centric
January 31–April 26, 2014,
Honickman and Berman Galleries, ground floor
Conceived in close collaboration with Michael Snow—one of the most important experimental filmmakers of his generation—this exhibition is a focused survey of the Canadian artist's photography-based work, which has not been the subject of a solo museum exhibition in the United States since the 1970s. Throughout a career that has also included painting, sculpture, installations, and music, Snow (born 1928) has employed photography in unique and innovative ways. This exhibition presents the best examples of his use of the medium from 1962 to 2003.
Lockheed Lounge, 1988 Designed by Marc Newson, Australian Riveted aluminum, fiberglass, rubberized paint 34 1/2 × 65 3/4 × 24 1/2 inches (87.6 × 167 × 62.2 cm) Lent by Carnegie Museum of Art, Pittsburgh Photography © Karin Catt
Marc Newson: At Home
November 22, 2013–April 19, 2014,
Collab Gallery, first floor, Perelman Building
The most influential industrial designer of his generation, Marc Newson (Australian, born 1963) has designed everything from a dish rack to a personal jet, some pieces mass-produced, others one-offs, for both companies and art galleries. As creative director of Qantas Airways, Newson redesigned the interiors and fittings of the airline's Airbus fleet, including cabin lighting and seats as well as its in-flight tableware.
Soft Construction with Boiled Beans (Premonition of Civil War), 1936, Salvador Dalí, Spanish, 1904 - 1989, 1950-134-41
The Surrealists: Works from the Collection
November 2, 2013–March 1, 2014,
Special Exhibitions Gallery, first floor, Perelman Building
This exhibition provides an account of Surrealism as told through the Museum's unique collection of great masterpieces and lesser-known works of the movement, as well as its deep holdings of period journals, catalogues, and archival material. Bringing together a diverse and exceptional group of more than seventy paintings, sculptures, photographs, drawings, prints, and books, the exhibition will highlight the inspired minds and imaginations of the most celebrated Surrealists
Malcolm X #3, 1969, Artist/maker: Barbara Chase-Riboud, American, born 1939, 2001-92-1
Barbara Chase-Riboud: The Malcolm X Steles
September 13, 2013–January 19, 2014,
Galleries 172, 173, Alter Gallery 176, and Great Stair Hall
Bringing together more than forty works from the United States and Europe, this exhibition examines Barbara Chase-Riboud's artistic career, focusing primarily on her important Malcolm X sculptures. Five works from that series—among them the museum's Malcolm X #3 of 1970—and five closely related sculptures are included.
The City, 1919, Artist/maker: Fernand Léger, French, 1881 - 1955, 1952-61-58
Léger: Modern Art and the Metropolis
October 13, 2013–January 4, 2014,
Dorrance Special Exhibition Galleries, first floor
This interdisciplinary exhibition takes as its inspiration and point of departure Fernand Léger's 1919 painting The City, a cornerstone of the Philadelphia Museum of Art's collection and one of the most important works in the history of modern art.
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