Skip to main content
Portrait of Hiram Charles Montier, 1841
Franklin R. Street (1815/16­–before 1894)
Oil on canvas, 35 x 28 inches

On loan from the Collection of Mr. and Mrs. William Pickens, III

Portrait of Hiram Charles Montier, 1841 Franklin R. Street (1815/16­–before 1894) Oil on canvas, 35 x 28 inches On loan from the Collection of Mr. and Mrs. William Pickens, III

Exhibition

The Montiers of Philadelphia

December 30, 2009 - Spring 2011

View more objects in the exhibition >> The earliest surviving portraits of an African American couple, Hiram and Elizabeth Brown Montier, provide a first-person perspective on their lives in nineteenth-century Philadelphia. On public view for the first time while on long-term loan to the Museum, the portraits invite special consideration as documents of marriage and family life within the city's free African American community. The Montiers descended directly from the first mayor of Philadelphia, Humphrey Morrey, appointed in 1691. The Morreys manumitted their slaves during the early eighteenth century, and Humphrey Morrey's son later formed a common-law marriage with one of the family's freed servants, Cremona, who would receive almost two hundred acres of land in Cheltenham from her husband. The family's prominence throughout the eighteenth and nineteenth centuries undoubtedly influenced the Montiers' decision to commemorate their marriage with high style portraits, a rare and expensive undertaking for the young couple.

<i>Portrait of Elizabeth Brown Montier</i>, 1841
Franklin R. Street (1815/16­–before 1894)
Oil on canvas, 32 x 26 inches
On loan from the Collection of Mr. and Mrs. William Pickens, III

Portrait of Elizabeth Brown Montier, 1841 Franklin R. Street (1815/16­–before 1894) Oil on canvas, 32 x 26 inches On loan from the Collection of Mr. and Mrs. William Pickens, III

By the time of his wedding in May 1841, Hiram Montier was a successful bootmaker on 7th Street, just a few blocks from Independence Hall. Dressed formally and surrounded by classical columns, lavish drapery, and leather-bound books, the figures record the Montiers' affluence as well as their literacy. Signed by Philadelphia painter Franklin R. Street, the paintings are distinguished by stylish clothing and jewelry as well as the striking naturalism of the sitters' faces.


Main Building

Curators

Mark D. Mitchell • Assistant Curator of American Art and Manager, Center for American Art

Check out other exhibitions


View full calendar