Galleries 241, 242 & 243, Second Floor
Hon’ami Kōetsu, the seventeenth-century Japanese artist who was recently the subject of a major exhibition at the museum, is renowned for his contributions to the arts of tea, poetry, and Rimpa–a bold decorative style that took imagery from the natural world and native classical literature as its subject.
Among the works shown in Tea, Poetry, and Rimpa are painted wood Votive Plaques of the Thirty-six Immortal Poets (1698), an exceedingly rare and complete set on loan to the museum by Dr. Luther W. Brady, Jr. The votive plaques (known as ema) were most likely commissioned for display in a shrine or temple. Each ema presents a poem inscribed in calligraphy accompanied by an imaginary portrait of its author, one of a group of preeminent writers designated the “Thirty-six Immortal Poets.“ Another highlight of Tea, Poetry, and Rimpa is a poem with calligraphy by Konoe Nobutada (1565–1614) who, with Kōetsu and Shokado Shojo, was acclaimed one of the “Three Brushes of the Kan’ei Era.“
Rimpa first emerged in the early seventeenth century, and traces its lineage to the paintings, lacquerware, and book designs of Kōetsu (1558–1637) and Tawaraya Sōtatsu (active ca. 1600–1640). Displayed in Tea, Poetry, and Rimpa are paintings, prints, laquerware, ceramics, and textiles by artists who adopted the style and subject matter of Kōetsu and Sōtatsu, including Ogata Kōrin (1658–1716) and his brother Ogata Kenzan (1663–1743), Sakai Hōitsu (1761–1828), Morimura Hogi (1805–1862), and Kamisaka Sekka (1866–1942). One spectacular Rimpa-style screen included in the exhibition, Autumn Flowers, was once in the collection of the Philadelphia artist Mary Cassatt.
Some of Hon’ami Kōetsu’s most remarkable creations are related to his love of tea and teabowls. Tea, Poetry, and Rimpa presents teabowls made by the Raku family of potters, with whom Kōetsu worked. Also showcased in the installation are other objects used in the Japanese tea ceremony (chanoyu)—during which powdered green tea is prepared by a tea master in the company of guests—ranging from tea scoops and kettles to lacquer incense containers and charcoal baskets.
Felice Fischer, Luther W. Brady Curator of Japanese Art and Acting Curator of East Asian Art; Adriana Proser, Research Associate, East Asian Art