Alter Gallery 276
Main Building
Pauline Boudry / Renate Lorenz, Moving Backwards, Swiss Pavilion at the 58th International Art Exhibition – La Biennale di Venezia, 2019. Courtesy the artists. Photo: Annik Wetter
In a time of unprecedented political turmoil, artistic duo Boudry and Lorenz created the immersive installation Moving Backwards to explore dance as a means of resistance. The work combines postmodern choreography and urban dance with guerrilla techniques and elements of queer underground culture.
Moving Backwards transforms the gallery into what the artists call an "abstract" nightclub, complete with a dance floor illuminated by flashing lights, a dancing curtain, and a projection of performers whose movements—both through choreography and complex video editing—confuse the distinction between backwards and forwards. The work responds to contemporary politics by reimagining stories of women in Kurdish guerrilla groups who wore their shoes backwards whilst walking in snowy mountains, a tactic that saved their lives as their footprints indicated travel in the opposite direction.
For Boudry and Lorenz, whose works are grounded in questioning mainstream narratives through queer discourses, the concept of “moving backwards” becomes an instrument of freedom and resilience, re-orienting and re-organizing our bodies and lives beyond the myth of progress and towards an unknown future.
Moving Backwards is a recent acquisition of the Modern and Contemporary Art Department. Pauline Boudry / Renate Lorenz, 2019. Installation with an animated curtain, LED lights, HD projection, color, and sound; 21 minutes. Purchased with the Contemporary Art Revolving Fund, 2022-20-1a--e.
Alter Gallery 276
Main Building
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Pauline Boudry and Renate Lorenz have been working together in Berlin since 2007. They produce installations that choreograph the tension between visibility and opacity. Their films capture performances in front of the camera, often starting with a song, a picture, a film, or a score from the near past. They upset normative historical narratives and conventions of spectatorship, as figures and actions across time are staged, layered, and re-imagined. Their performers are choreographers, artists, and musicians, with whom they are having a long-term conversation about the conditions of performance, the violent history of visibility, and the pathologization of bodies but also about companionship, glamour, and resistance.
Moving Backwards originally premiered at the Swiss Pavilion of the 58th Venice Biennale in 2019. Other recent solo exhibitions of their work include Muac Museum, Mexico City (2025), Nest, The Hague (2025) Leeum Museum of Art, Seoul (2024), Kunstnernes Hus, Oslo (2023/24), Tensta Konsthall, Stockholm (2023), Palacio Cristal/Museo Reina Sofia, Madrid (2022), the Julia Stoschek Collection, Berlin (2019), Centre Culturel Suisse Paris (2018), among many other institutions since 2008. They are represented by Ellen de Bruijne Projects in Amsterdam and Marcelle Alix in Paris.
Photo courtesy of Pauline Renate © Pierre-Yves Borgeaud.
This exhibition was made possible by the Daniel W. Dietrich II Endowment for Excellence in Contemporary Art.
All exhibitions at the PMA are underwritten by the Annual Exhibition Fund. Generous support is provided by Andrea Baldeck, M.D.; Julia and David Fleischner; Amy A. Fox and Daniel H. Wheeler; Mrs. Henry F. Harris; Robert Hayes; Mark W. Strong and Dana Strong.
Eleanor Nairne, Keith L. and Katherine Sachs Curator for Modern and Contemporary Art and Head of Department with Alison Tufano, Collections Assistant for Modern and Contemporary Art, and Luiza Repsold França, Daniel W. Dietrich II Fellow.