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Highlights

Birds and Flowers of the Four Seasons
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Now Through May 10, 2015
This exhibition explores the stunning artistry of the esteemed Kano painters, the most enduring and influential school of painting in Japanese history. Established in the late fifteenth century, the Kano lineage of artists served as painters-in-attendance to Japan’s powerful shoguns for four hundred years. The exhibition presents more than 120 works of art spanning the school’s long and illustrious history, including large-scale, gold leaf folding screens and sliding doors as well as ink paintings, hanging scrolls, and folding fans. Ink and Gold is the first outside Japan—and the first anywhere since 1979—to so fully examine the Kano painters’ legacy.
Untitled #204
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Now Through August 9, 2015
This is the first in a two-part series of exhibitions to feature photographs made since roughly 1975. Together these presentations offer two views of a period in which photography emerged as a key medium of contemporary art. By the last decades of the twentieth century, photography had established traditions of genre and craftsmanship, which an increasing number of artists chose to engage, revise, or reject.
From Seeds to Seeds (detail), 2014
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Now Through September 27, 2015
Shelley Spector has been actively engaged in Philadelphia’s arts community for years as a respected artist, innovative gallery owner, and champion of emerging talent. Her inventive use of pattern and salvaged materials intrigued senior curator Dilys Blum, who invited Spector to explore the Museum’s collection of textiles and create an installation of new artwork. Spector’s moving response is Keep the Home Fires Burning, a walk-through presentation of wood and textile-based sculpture that reflects on the universal quest for hope, home, and connectedness.
Victory
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Now Through February 2016
Taking cues from the Dada movement and from the work of Swiss sculptor Alberto Giacometti, Cy Twombly (American, 1928– 2011) created poetic objects whose serene white surfaces and allusive forms seem to recall remote worlds of myth and the ancient past. After reaching an indisputable maturity in his early sculpture, created from 1946 to 1959, Twombly returned to working in three dimensions in the mid-1970s and continued to cast new works up until his passing in 2011.

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