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Gherardo Starnina: Reconstructing a Renaissance Masterpiece
December 17, 1998 - March 7, 1999
Dormition of the Virgin
Dormition of the Virgin, 1404-1405 or 1408
Starnina (Gherardo di Jacopo di Neri), Italian (born Gaville, active Florence and Empoli)
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Gherardo Starnina: Reconstructing a Renaissance Masterpiece
December 17, 1998 - March 7, 1999

Most early Renaissance paintings found in the collections of American museums are the surviving fragments from large altarpieces that had once adorned European churches. Many of these altarpieces were separated into smaller components during the late 18th and early 19th centuries, which were subsequently sold. A panel depicting The Burial of the Virgin (early 1400s), by the Florentine master Gherardo Starnina (documented 1387-1413), is one such fragment, and is part of the John G. Johnson Collection in the Philadelphia Museum of Art. Originally created for a church in Lucca, Italy, Starnina's altarpiece survives only as a group of fragments (such as Burial of the Virgin) housed in museums and private collections in Italy and the United States.

Featuring a full reconstruction of Starnina's design, as well as a panel from the predella (or bottom section), the exhibition will offer North American audiences the rare opportunity to see a nearly complete Renaissance altarpiece. The installation will also include two additional paintings by Starnina on loan from the Museum of Fine Arts, Boston, as well as panels by the Spanish artist Miquel Alcañiz (documented 1421-1434). Depicting The Nativity and The Burial of the Virgin (both early 1420s), the Alcañiz panels are akin to Starnina's in theme and imagery, evidence of a rich exchange between Italian and Spanish artists at the time of the Renaissance.


This exhibition is the result of a cultural exchange made possible by the Ministero per i Beni e le Attività Culturali (Italy), by the Soprintendenza per i Beni Ambientali, Architettonici, Artistici, e Storici per le Provincie di Pisa, Livorno, Lucca, e Massa Carrara, and by Opera - laboratori fiorentini.

In Philadelphia, the exhibition is supported by generous gifts from John H. McFadden and from Felecia and Jeffrey Weiss.


In Philadelphia, the exhibition has been organized by:
Carl Brandon Strehlke, Adjunct Curator, John G. Johnson Collection
Marla K. Shoemaker, Curator of Education, Youth and Family Programs


Gallery 151, first floor


  • Museo Nazionale di Villa Guinigi, Lucca, Italy March - September, 1998
  • The Fogg Art Museum, Cambridge, Massachusetts October - November, 1998
  • Philadelphia Museum of Art December 17, 1998 - March 7, 1999