Skip to main content

Minstrel and Two Ascetics

c. 1945
Jamini Roy (Indian, 1887–1972)
Roy’s abstracted figuration recalls, if only coincidentally, the primitivist aesthetic cultivated by Paul Klee. While Klee looked to the arts of Africa and Oceania in his quest to uncover a more authentic artistic voice, Roy drew from the living folk painting traditions of his home region of Bengal to construct a vocabulary of simplified forms in bold, flat colors that would counter the European academic realism favored by India’s wealthy, urban elite. He also cultivated a collaborative studio environment evocative of traditional artists’ workshops in India.

Object Details

We are always open to learning more about our collections and updating the website. Does this record contain inaccurate information or language that you feel we should improve or change? Contact us here.

Please note that this particular artwork might not be on view when you visit. Don’t worry—we have plenty of exhibitions for you to explore.