Dorrance Special Exhibition Galleries, First Floor
Main Building
In 1917 John G. Johnson, the most famous lawyer of his day, left his astonishing trove of European art to the city of Philadelphia. One hundred years later, we’re taking a new look at one of this country’s most remarkable collections. Encounter treasures by the likes of Botticelli, Bosch, Titian, Rembrandt, and Monet—and see how we keep making new discoveries about the collection.
Far from being a static group of objects, the Johnson Collection is subject to constant care, study, and scrutiny. What does it mean to tend to and learn from an art collection of this magnitude and significance? What discoveries and challenges do we encounter day in, day out?
In this exhibition, get a behind-the-scenes look at a living, breathing collection and experience first-hand how our understanding and appreciation of these works have evolved over the years.
Dorrance Special Exhibition Galleries, First Floor
Main Building
This exhibition has been made possible by The Annenberg Foundation Fund for Major Exhibitions, The Robert Montgomery Scott Endowment for Exhibitions, The Women’s Committee of the Philadelphia Museum of Art, the Kowitz Family Foundation, Friends of Heritage Preservation, Lawrence H. and Julie C. Berger, The Jill and Sheldon Bonovitz Exhibition Fund, The Gloria and Jack Drosdick Fund for Special Exhibitions, The Harriet and Ronald Lassin Fund for Special Exhibitions, The Robert Lehman Foundation, James and Susan Pagliaro, Lyn M. Ross, Saul Ewing Arnstein & Lehr LLP, and Joan F. Thalheimer.
Support for the accompanying digital publication has been provided by Lois G. and Julian A. Brodsky, Martha Hamilton Morris and I. Wistar Morris III, an anonymous donor, and other generous individuals.
Jennifer Thompson, The Gloria and Jack Drosdick Curator of European Painting and Sculpture, and Curator of the John G. Johnson Collection; with Christopher Atkins, The Agnes and Jack Mulroney Associate Curator of European Painting and Sculpture, and Manager of Curatorial Digital Programs and Initiatives; Teresa Lignelli, The Aronson Senior Conservator of Paintings; and Mark S. Tucker, The Neubauer Family Director of Conservation