Return to Previous Page

Highlights

Martin Luther King, Jr.
building
Now Through April 5, 2015
This exhibition highlights selections from the Museum’s exceptional holdings of African American art and celebrates the publication of a catalogue examining the breadth of these noteworthy collections. With work by renowned artists such as Henry Ossawa Tanner, Horace Pippin, Jacob Lawrence, Martin Puryear, and Carrie Mae Weems, the exhibition showcases a range of subjects, styles, mediums, and traditions. Since the Museum’s acquisition of Tanner’s painting The Annunciation in 1899, its collections of African American art have grown significantly, especially during the last three decades.
Birds and Flowers of the Four Seasons
building
Now Through May 10, 2015
This exhibition explores the stunning artistry of the esteemed Kano painters, the most enduring and influential school of painting in Japanese history. Established in the late fifteenth century, the Kano lineage of artists served as painters-in-attendance to Japan’s powerful shoguns for four hundred years. The exhibition presents more than 120 works of art spanning the school’s long and illustrious history, including large-scale, gold leaf folding screens and sliding doors as well as ink paintings, hanging scrolls, and folding fans. Ink and Gold is the first outside Japan—and the first anywhere since 1979—to so fully examine the Kano painters’ legacy.
Lines in Four Directions in Flowers
building
Ongoing
In 1981, leading conceptual artist Sol LeWitt (American, 1928–2007) was invited by the Fairmount Park Art Association to propose a public artwork for a site in Fairmount Park. Installed thirty years after its conception, Lines in Four Directions in Flowers is a work of monumental scale, made up of more than 7,000 plantings arranged in strategically configured rows.
Raptorâs Rapture
building
Now Through April 5, 2015
This exhibition of new and recent projects by Puerto Rico–based artists Jennifer Allora and Guillermo Calzadilla explores music’s capacity to evoke an ancestral time and interrogate what makes us human. Through films, sound, live performances, and sculpture, the artists take on various notions of the interval in order to discover possible ways to reconsider the distance between our present and our past. Allora & Calzadilla: Intervals, the artists’ largest solo exhibition in the United States to date, unfolds over two sites: the Perelman Building at the Philadelphia Museum of Art and The Fabric Workshop and Museum.
Drawing of Adam and Eve
building
Now Through April 26, 2015
This exhibition celebrates a recent promised gift of fraktur to the Museum from art collectors Joan and Victor Johnson. One of the most admired forms of American folk art, fraktur are decorated documents featuring brilliant colors and often whimsical imagery. Transplanted to Pennsylvania by German-speaking immigrants in the 1700s, these hand-drawn or printed works on paper are distinguished by a broken (or “fractured”) style of lettering. Small yet exuberant, fraktur celebrated important moments in the personal and domestic lives of Pennsylvania Germans.
Wooden Dolls
building
Now Through April 26, 2015
The family-owned Swiss company Vitra is one of the most innovative design firms in the world. Renowned for its functional yet inspiring interior designs, furniture, and accessories, it is internationally recognized for its creative partnerships with design visionaries such as Philippe Starck, Ron Arad, and Verner Panton. Its remarkable ensemble of contemporary architecture and strong commitment to education set Vitra apart from other design companies. This exhibition tells Vitra’s story through an immersive presentation of furniture and design objects, models and material studies, drawings, aerial photographs of its campus, and videos.
Victory
building
Now Through May 2015
Taking cues from the Dada movement and from the work of Swiss sculptor Alberto Giacometti, Cy Twombly (American, 1928– 2011) created poetic objects whose serene white surfaces and allusive forms seem to recall remote worlds of myth and the ancient past. After reaching an indisputable maturity in his early sculpture, created from 1946 to 1959, Twombly returned to working in three dimensions in the mid-1970s and continued to cast new works up until his passing in 2011.

Return to Previous Page