The Publishing Department of the Philadelphia Museum of Art develops, produces, and publishes the Museum's books, handbooks, and collection and exhibition catalogues, as well as the Bulletin, an occasional scholarly publication. The department collaborates with other institutions on joint exhibition publications, and arranges for the distribution and co-publication of its titles in the trade in the United States and abroad.
One of the most forward-thinking art dealers of all time, Paul Durand-Ruel (1831–1922) played a crucial role in the rise of French Impressionism. This book explores how Durand-Ruel discovered, exhibited, and shaped an audience for Impressionist paintings at a time when they were not yet appreciated.
This catalogue reconsiders the development and cultural significance of still-life painting in America, exploring renowned treasures alongside recently discovered works—some previously unpublished—in unexpected ways.
Peter Paul Rubens (1577–1640) proudly described his monumental painting Prometheus Bound as first among “the flower of my stock.” This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist’s creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time.
This chunky little book—published in conjunction with the exhibition Shelley Spector: Keep the Home Fires Burning—is a record of the artist’s hands-on, labor-intensive process. Using her smartphone as an archive and sketchbook, Spector captured more than two hundred color photographs of her Philadelphia studio, works in progress, and sources of inspiration.
This fully updated and beautifully redesigned handbook is the essential guide to the encyclopedic collections of the Philadelphia Museum of Art. Divided into four sections-Asia, Europe, the Americas, and Contemporary-the handbook features more than 500 masterpieces from the museum's world-renowned holdings, each handsomely illustrated in color and accompanied by a brief text written by the museum's curators.