The Publishing Department of the Philadelphia Museum of Art develops, produces, and publishes the Museum's books, handbooks, and collection and exhibition catalogues, as well as the Bulletin, an occasional scholarly publication. The department collaborates with other institutions on joint exhibition publications, and arranges for the distribution and co-publication of its titles in the trade in the United States and abroad.
In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the Tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.
This handsome book explores in depth a group of stunning painted and gilded furniture designed by the architect Benjamin Henry Latrobe (1764–1820), best known for originating the plans for the United States Capitol. The furniture was made in Philadelphia for one of the city’s finest houses—the home of William and Mary Wilcocks Waln, which Latrobe also designed.
This catalogue reconsiders the development and cultural significance of still-life painting in America, exploring renowned treasures alongside recently discovered works—some previously unpublished—in unexpected ways.
This beautiful volume documents a historic gift of contemporary art from the Keith L. and Katherine Sachs Collection to the Philadelphia Museum of Art. The gift, comprising nearly 100 works, includes masterpieces by luminaries such as Ellsworth Kelly and Jasper Johns, exceptional pieces by major British and German artists, and important works of outdoor sculpture, large-scale photography, and video art.
Peter Paul Rubens (1577–1640) proudly described his monumental painting Prometheus Bound as first among “the flower of my stock.” This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist’s creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time.
This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.
This fully updated and beautifully redesigned handbook is the essential guide to the encyclopedic collections of the Philadelphia Museum of Art. Divided into four sections-Asia, Europe, the Americas, and Contemporary-the handbook features more than 500 masterpieces from the museum's world-renowned holdings, each handsomely illustrated in color and accompanied by a brief text written by the museum's curators.
The work of American photographer Dave Heath (born 1931) stuns with its emotional potency. Exploring themes of loneliness and alienation in modern society, Heath’s photographs depict strangers riding the train, watching a Thanksgiving parade, staring pensively at their dining room table, or kissing on the side of a street. Entirely self-taught, Heath stretches the boundaries of the medium and explores the potential of the photo narrative through handmade book maquettes, innovative multimedia slide presentations, and other photographic experimentations.