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Museum Publications

The Publishing Department of the Philadelphia Museum of Art develops, produces, and publishes the Museum's books, handbooks, and collection and exhibition catalogues, as well as the Bulletin, an occasional scholarly publication. The department collaborates with other institutions on joint exhibition publications, and arranges for the distribution and co-publication of its titles in the trade in the United States and abroad.

New Releases

Through his amazing variety of innovative images, photographer Paul Strand (1890–1976) played a crucial role in establishing the medium's significance as a modern art form. Celebrating the Philadelphia Museum of Art's recent acquisition of the core collection of Strand's prints from the Paul Strand Archive, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work.
Richard Pousette-Dart (1916-1992) is best known as an American painter of mid-20th-century Abstract Expressionism, although his work was distinct for its spiritual content and his elaborate layering of materials. His works on paper are remarkable for their varied use of materials and techniques, and reflect the artist's shift from figurative representation to semi-abstract forms emerging out of free calligraphic drawing, to a form of pointillism, and a return to spontaneous drawing.
Treasures from Korea is the first major publication outside of Korea to survey the artistic production of the world's longest-ruling Confucian dynasty, which reigned on the Korean peninsula from 1392 to 1910. The Joseon dynasty left a substantial legacy for modern Korea, influencing contemporary etiquette, cultural norms, and societal attitudes.

You have to read the indispensable catalog.— New York Times, March 20, 2014

Michael Snow: Photo-Centric focuses on a selection of the artist's photographic work from 1962 to the present. The book considers Snow's interest in late modernism's self-reflexivity and, specifically, his exploration of how the mechanics of photography affect perception, cognition, and consciousness.

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