Important: The images displayed on these pages are formatted as 72dpi jpegs and are of insufficient quality for print production. They are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please supply your name, press affiliation and all other information as required utilizing the HTML form at the end of each list.

Images are provided exclusively to the press, and only for purposes of publicity for the duration of an exhibition at the PMA. The Museum grants permission to use images only to the extent of its ownership rights relating to those images--the responsibility for any additional permissions remains solely with the party reproducing the images. In addition, the images must be accompanied by the credit line and any copyright information as it appears below, and the party reproducing the images must not distort or mutilate the images.

Digital images will be sent to you via e-mail.

Image 01: Implied Movements

Implied Movements, 1986. Harvey K. Littleton, American, born 1922. Blown glass, Each (height range): 34 1/2 inches (87.6 cm) to 41 inches (104.1 cm). Philadelphia Museum of Art, Gift of Mrs. Robert L. McNeil, Jr., 1998. See R & R for copyright

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Image 02: Master #264, Pair on Base

Master #264, Pair on Base, 1998. Bennett Bean, American, born 1941. Pit-fired earthenware with acrylic decoration (outer surface) and gold leaf decoration (interior), a: 13 1/2 x 12 3/4 inches (34.3 x 32.4 cm) b: 14 1/4 x 13 1/2 inches (36.2 x 34.3 cm). Philadelphia Museum of Art, Gift of the Women's Committee of the Philadelphia Museum of Art in honor

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Image 03: The One

The One, 1985. Rebecca Medel, American, born 1947. Knotted cotton and linen. Sized and sewn construction, Final Installation: 94 x 84 x 94 inches (238.8 x 213.4 x 238.8 cm). Four Sections (each): 94 x 42 x 47 inches (238.8 x 106.7 x 119.4 cm). Philadelphia Museum of Art, Purchased with funds contributed by the Women's Committee of the Philadelphia Museum of Art, the Costume and Textiles Revolving Fund, the Leonard and Norma Klorfine Foundation Endowed Fund for Modern and Contemporary Craft, and with funds contributed by anonymous donors, 2008. © Rebecca Medel

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Image 04: Kotodama

Kotodama, 2008. Motoko Maio, Japanese, born 1948. Silk and paper, mounted as a screen, [2009-79-1a]: 60 1/16 x 105 1/8 inches (152.5 x 267 cm). [2009-79-1b]: 48 1/16 x 144 1/8 inches (122 x 366 cm). Philadelphia Museum of Art, Purchased with funds contributed by Mr. and Mrs. Howard H. Lewis and an anonymous donor, 2009. See R & R for copyright

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Image 05: Tree Chalice

Tree Chalice, 1966-68. Rudolf Staffel, American, 1911 - 2002. Bronze, 14 3/8 x 11 inches (36.5 x 27.9 cm). Philadelphia Museum of Art, Purchased with funds contributed by The Women’s Committee and the Craft Show Committee of the Philadelphia Museum of Art, 2011.

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Image 06: The Fountain of Word and Water

The Fountain of Word and Water, 1963. Lenore Tawney, American, 1907 - 2007. Knotted linen, 13 feet 6 inches x 30 x 6 inches (411.5 x 76.2 x 15.2 cm). Philadelphia Museum of Art, Purchased with funds contributed by The Women’s Committee and the Craft Show Committee of the Philadelphia Museum of Art, 1994. See R & R for copyright

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Image 07: Coastal Stack V

Coastal Stack V, 2008. Michael J. Peterson, American, born 1952. Madrone burl, carved, sandblasted, bleached, and pigmented, 46 x 34 x 30 inches (116.8 x 86.4 x 76.2 cm). Philadelphia Museum of Art, Purchased with the Leonard and Norma Klorfine Foundation Endowed Fund for Modern and Contemporary Craft and Windgate Charitable Foundation.

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Image 08: Passage to the LaBelle

Passage to the LaBelle, 1995. Michael Pavlik, Czech (active in Guatemala), born 1941. Cut, polished and laminated glass, 13 x 13 x 16 inches (33 x 33 x 40.6 cm). Philadelphia Museum of Art, Bequest of Hester Beckman.

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Image 09: Blue Reed

Blue Reed, 1997. Mary Merkel-Hess, American, born 1949. Paper, reed, 18 x 36 1/2 x 10 inches (45.7 x 92.7 x 25.4 cm). Philadelphia Museum of Art, Purchased with funds contributed by The Women’s Committee and the Craft Show Committee of the Philadelphia Museum of Art, 1998.

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