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Daddy Tattoo, Philadelphia, 2004â¨
Daddy Tattoo, Philadelphia, 2004

Zoe Strauss, American

Inkjet print
12 x 16 inches (30.5 x 40.6 cm)
Gift of the artist and the Women’s Committee of the Philadelphia Museum of Art, with assistance by the Julius Bloch Memorial Fund created by Benjamin D. Bernstein, 2011-86-35

Courtesy of the artist and © Zoe Strauss
building
Zoe Strauss: Ten Years
January 14, 2012 - April 22, 2012
Zoe Strauss: Ten Years is a mid-career retrospective of the acclaimed photographer’s work and the first critical assessment of her ten-year project to exhibit her photographs annually in a space beneath a section of Interstate-95 (I-95) in South Philadelphia. Strauss’s subjects are broad but her primary focus is on working-class experience, including the most disenfranchised people and places. Her photographs offer a poignant, troubling portrait of contemporary America.

Strauss (American, born 1970) states that her ambition is “to create an epic narrative that reflects the beauty and struggle of everyday life.” Zoe Strauss: Ten Years will offer one version of that narrative, presenting approximately one hundred and fifty of her photographs, along with slideshows displaying more of her imagery, and installations on billboards throughout Philadelphia that will extend the exhibition beyond the Museum. Between 2001 and 2010, Strauss hosted yearly day-long exhibitions of her photographs under an elevated section of I-95. She affixed prints to columns in an area roughly the size of a football field, providing visitors with a map keyed to a list of photograph titles. Prints of the exhibited images were available for sale for five dollars, with Strauss stationed at a nearby table to sign them. These installations animated the site with art, commerce, and social interaction, transforming it into a vibrant public space. Zoe Strauss: Ten Years will examine how, for Strauss, the opposite settings of the abandoned urban zone under I-95 and the galleries of the Philadelphia Museum of Art complement each other. Her engagement with both places is deep and she highly values the Museum as a place for civic discourse, just as she strove to make the space under I-95 a place for social interaction.

Untrained as a photographer or artist, Strauss nevertheless founded the Philadelphia Public Art Project in 1995 with the objective of exhibiting art in nontraditional venues. She turned to the camera in 2000 as the most direct instrument to represent her chosen subjects. In 2006, Strauss participated in the Whitney Biennial. In 2008 she published her first book, America.

<i>Clothes in Lot</i>, 2005
Clothes in Lot, 2005
Zoe Strauss, American
Inkjet print
Sheet: 11 11/16 x 16 1/2 inches
Gift of the artist, 2006
2006-130-3

Support


This exhibition is made possible by The Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative. The Women's Committee of the Philadelphia Museum of Art 2010 Photography Portfolio Competition also provided support along with Lois and Julian Brodsky, Dina and Jerry Wind, the Edna W. Andrade Fund of The Philadelphia Foundation, Lynne and Harold Honickman and the Friends of the Alfred Stieglitz Center.

Special thanks to Clear Channel Outdoor and Krain Outdoor Advertising for donating billboards to extend the reach of the exhibition into the city of Philadelphia.

Curator

Peter Barberie, The Brodsky Curator of Photographs, Alfred Stieglitz Center

Location

Honickman and Berman Galleries, ground floor

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