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Cohen’s pictures are often unsettling, showing us a world filled with anxieties, accidents, and desires. He approaches these motifs, however, with surprisingly gentle humor. While Cohen’s photographs seem to reveal elemental aspects of human behavior and urban life, they are far from objective documents. He often employs an aggressive flash and radical cropping, and the resulting images are clearly shaped as much by Cohen’s encounters with his subjects as by the people and places themselves. This exhibition surveys a select group of some fifty of Cohen’s black-and-white and color photographs made over the past forty years. Together, these pictures chart the transformations that have happened in cities such as Scranton and Wilkes-Barre in those decades, demonstrating that even the most subjective photographs can reveal historical truths.