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Anger, 1558
Pieter van der Heyden, Flemish
Plate: 6 3/4 x 11 1/2 inches (17.1 x 29.2 cm)
The Muriel and Philip Berman Gift, acquired from the John S. Phillips bequest of 1876 to the Pennsylvania Academy of the Fine Arts, with funds contributed by Muriel and Philip Berman, gifts (by exchange) of Lisa Norris Elkins, Bryant W. Langston, Samuel S. White 3rd and Vera White, with additional funds contributed by John Howard McFadden, Jr., Thomas Skelton Harrison, and the Philip H. and A.S.W. Rosenbach Foundation, 1985
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Virtues and Vices: Moralizing Prints in the Low Countries, 1550–1600
December 11, 2010 - February 27, 2011
This exhibition brings together a group of lively moralizing prints created between 1550 and 1600 in Antwerp and Haarlem, the two major print-publishing centers in the Low Countries. Both sobering and satirical, prints of this type were popular best-sellers, offering both moral instruction and visual delight to a newly expanded audience of educated Dutch and Flemish consumers. Familiar stories from the Bible, tales from Greek and Roman mythology, depictions of contemporary events, and scenes of everyday life all found favor with collectors. Ranging from the rowdy peasants and fantastic monsters of Pieter Bruegel the Elder to the muscular heroes and sensuous nudes of Hendrick Goltzius, some seventy engravings selected from the Museum’s collection demonstrate the variety of moralizing prints created by leading artists of the Low Countries during a period of significant political and religious change.

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Charles Hausberg • Margaret R. Mainwaring Curatorial Fellow


Berman Gallery, ground floor

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