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Secretaire Cabinet

Designed by George Washington Jack, American (active England), 1855 - 1932. Made by Morris and Company, London, 1861 - 1940.

Geography:
Made in London, England, Europe

Date:
c. 1889

Medium:
Mahogany with hardwood inlays

Dimensions:
51 1/2 x 55 1/2 x 27 1/2 inches (130.8 x 141 x 69.8 cm)

Curatorial Department:
European Decorative Arts and Sculpture

Object Location:

* Gallery 156, European Art 1850-1900, first floor (Annenberg Galleries)

Accession Number:
1986-128-1a,b

Credit Line:
Purchased with funds contributed by the Friends of the Philadelphia Museum of Art and with the gift (by exchange) of Julia G. Fahnestock in memory of her husband, William Fahnestock, 1986

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Label:
Morris and Company was founded in 1861 to produce furniture that was simple and honest in its material and construction. By 1885, the firm was also producing richly inlaid cabinets such as this example in the fashionable neo-Georgian style.

Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    In 1896 this "secretaire cabinet," a desk with drawers and pigeonholes behind two doors and a fall-front writing surface, demonstrates the sophisticated cabinetmaking skills that Morris and Company could offer its most affluent clients. It was praised by contemporaries for the perfection of its decoration: the design, skill, and freedom of its marquetry; the choice of woods; the cutting; and the coloring. Credit was given to its designer, George Jack, an architect and skilled woodcarver who was responsible for most of the outstanding inlaid furniture produced by Morris in the 1880s and 1890s. A student of historic furniture that he used as models for his decorative techniques, Jack applied the richly inlaid scrolls of thistle, oak, and ash foliage (repeated mirror fashion like a Morris textile pattern), cross-banding, and checkered border to an overall conception based on a stately eighteenth-century English cabinet-on-stand. Katherine B. Hiesinger, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 151.

* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.

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