Currently not on view
Currently not on view
The Bather is an example of “sculpto-painting,” Alexander Archipenko’s name for the polychrome low-relief collage sculptures that he began constructing in 1914. The female bather of the title is composed of two cone-shaped sheets of flattened metal wedged together and painted a glowing orange. This image of a woman with a fan-shaped towel in her upraised hand was probably inspired by real-life swimmers whom Archipenko would have seen during his time in Nice. This city on France’s Mediterranean coast is where the artist lived during most of the First World War. His rendering of the intense blue-violet color of the water and the soft orange-yellow light can equally be connected to the experience of that sun-drenched resort city. The presence of a delicately shaded column introduces an additional note of classical timelessness to this modern version of the bather theme.
Currently not on view
Title: | The Bather |
Date: | 1915 |
Artist: | Alexander Porfirevich Archipenko (American (born Ukraine), 1887–1964) |
Medium: | Oil paint, graphite, paper, and metal on panel |
Dimensions: | 20 x 11 1/2 inches (50.8 x 29.2 cm) |
Classification: | Paintings |
Credit Line: | The Louise and Walter Arensberg Collection, 1950 |
Accession Number: | 1950-134-1 |
Geography: | Made in France, Europe |
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Currently not on view