Prometheus Bound

The eagle was painted by Snyders

Peter Paul Rubens, Flemish (active Italy, Antwerp, and England), 1577 - 1640, and Frans Snyders, Flemish (active Antwerp), 1579 - 1657.

Made in Southern Netherlands (modern Belgium), Europe

Begun c. 1611-12, completed by 1618

Oil on canvas

95 1/2 x 82 1/2 inches (242.6 x 209.5 cm)

Curatorial Department:
European Painting

* Gallery 258, European Art 1500-1850, second floor

Accession Number:

Credit Line:
Purchased with the W. P. Wilstach Fund, 1950

Social Tags [?]

collaboration [x]   collaborative [x]   eagle [x]   epic hero [x]   eternity [x]   flemish painting [x]   hero [x]   high renaissance [x]   large scale [x]   liver [x]   mythology [x]   peter paul rubens [x]   punishment [x]   wrath [x]  

[Add Your Own Tags]

Explore the Collections

Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    Peter Paul Rubens kept this enormous painting of Prometheus Bound in his personal collection for several years and in a letter of 1618 described it as one of his most important creations. Known to have collaborated with other artists, Rubens noted in the same letter that Frans Snyders, who was distinguished for his depictions of flowers and animals, had painted the eagle. This enormous bird, whose wings span the width of the canvas, tears the hero's powerfully muscled body with its sharp talons, rips open his side, and devours his liver. Part of Prometheus's punishment for having dared to steal fire from the gods was that his liver regenerated daily, only to be eaten again by the eagle. Interpretations of this Greek myth of an epic struggle between the eagle and Prometheus had acquired many allegorical resonances by the early seventeenth century, which Rubens, one of the most cultivated and literate figures of his time, would have surely known. This complex painting could be regarded as the artist's commentary on either the struggles of creativity or the ideal of heroic spiritual suffering. Katherine Crawford Luber, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 174.

* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.