Return to Previous Page

Officer Writing a Letter, with a Trumpeter

Gerard ter Borch, Dutch (active Haarlem, London, Amsterdam, Zwolle, and Deventer), 1617 - 1681

Geography:
Made in Netherlands, Europe

Date:
c. 1658-59

Medium:
Oil on canvas

Dimensions:
22 3/8 x 17 1/4inches (56.8 x 43.8cm) Framed: 33 7/8 x 29 1/4 x 2 7/8 inches (86 x 74.3 x 7.3 cm)

Curatorial Department:
European Painting before 1900, Johnson Collection

Object Location:

* Gallery 273, European Art 1500-1850, second floor

Accession Number:
E1924-3-21

Credit Line:
The William L. Elkins Collection, 1924

Social Tags [?]

dog [x]   genre [x]   interior [x]   men [x]   table [x]  


[Add Your Own Tags]

Explore the Collections




Label:
Gerard ter Borch situates the quiet, reflective activity of letter-writing in the traditionally boisterous environment of the guard room. Card-playing was a favorite activity of lovers, and the ace of hearts on the floor in the foreground suggests that the letter being written is an amorous one. The shards of clay pipe scattered around the card refer both to merrymaking activities usual in such a room, and to frustrations the letter-writer is having in expressing his romantic feelings.

Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    Letter writing and reading--together with guard room scenes--were among Gerard ter Borch's favorite subjects. Here the artist has combined the two, locating the quiet, reflective moment of letter writing within the traditionally boisterous environment of the guard room. He contrasts the intense absorption of the letter writer with the standing messenger, who waits patiently for the seated soldier to complete his missive. Ter Borch's technical prowess in the representation of luxurious materials, textures, and light in paint heightens the immediacy of the moment. The contents of the officer's letter are suggested by the ace of hearts, a traditional emblem of love, that lies on the floor; card playing itself was also a favorite activity of lovers. The broken shards of clay pipe scattered on the floor attest to the merry-making activities usual in such a room, as well as to the frustrations and difficulties the writer has had in expressing his amorous feelings in a letter. Katherine Crawford Luber, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 177.

* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.

Return to Previous Page