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European Painting before 1900, Johnson Collection

Moses and the Burning Bush, with Moses Removing His Shoes

Made in Netherlands (historical name, 15th-16th century), Europe

c. 1465-70

Attributed to Dierick Bouts the Elder, Netherlandish (active Louvain), first securely documented 1447, died 1475

Oil on panel
17 5/8 x 14 inches (44.8 x 35.6 cm)

* Gallery 219, European Art 1100-1500, second floor

Cat. 339

John G. Johnson Collection, 1917

Label

Two separate but related events from the life of Moses (Exodus 3:1–5) are depicted here: Moses, a shepherd tending his flock, sees a burning bush that fire does not consume, and God appears in the bush and instructs Moses to remove his shoes because the ground upon which he stands is holy.

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Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    Although there is no obvious division in the picture's space, Dierick Bouts has in fact depicted two sequential events from Moses's life within the verdant countryside in this compressed narrative. In the middle right, Moses, a shepherd, sits on the ground. He had been tending his flock when he noticed a burning bush that was miraculously not consumed by the fire. As he was approaching the bush, God told him to remove his shoes, which he is doing, before walking on the holy ground. In the foreground, Moses has approached the burning bush, in the midst of which God appears to instruct him to lead his people into the Promised Land. The inclusion of Moses' shepherd's staff in the two scenes, as well as the focus on the removal of his shoes, accentuates both his role as a protector of his people and his humility before God. Katherine Crawford Luber, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 166.

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