
Treasure Cabinet (Kap-kae-suri), 19th century
Korean
Lacquered wood with brass wire and dyed ray skin inlay; gilded metal fittings
24 x 26 x 17 inches (61 x 66 x 43.2 cm)
Bequest of Eleanor M. Witmer, 1990
1990-87-1
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About This Cabinet
By examining the decorations on this small treasure chest (
kap-kaesuri), we can infer that is was used in the women's quarters
(
an'chae) of an upper-class household. The doors are adorned with
a pair of phoenixes—mythical birds said to be wise and compassionate,
bearers of good fortune, and often symbols of feminine
qualities. Delicate, cloudlike forms surround the birds, and elaborate
strings of tail feathers flow out and around them. On the bottom
frame below the doors are four circles, symbols of yin-yang principles
said to represent the whirling forces of the universe. The rest
of the chest is decorated with floral and leaf designs, echoing shapes
found on the two front doors.
To achieve these delicate decorations, craftsmen began by creating
the chest out of wood. Next, they laid out the design motifs in
brass wire and attached them to the wooden surface. They then
covered the wood and brass with the malleable skin of a stingray,
pressing it into place so that the wire designs would show. Finally,
they applied dye to the ray skin to achieve the desired colors.
The last elements added to the chest were shiny metal hinges
and handles, and front, joint, and corner plates. Such metal
embellishments prevent shrinkage or expansion of the wood,
camouflage flaws, and provide an additional layer of beauty to
the chest. They are hallmarks of Korean furniture of the Joseon dynasty (1392–1910).
Interior of a Traditional Korean House
A traditional Korean house is called a
hanok. All aspects of the
house—its position in relation to the natural environment,
the construction materials, the arrangement of rooms and
furnishings—were carefully selected to bring positive energy to the household. The layout of rooms is based on Confucian ideas
of distinction between social classes, gender, and ages. An elaborate
house had specific living quarters for each type of resident, and
walls with gates separated each section. The
sarang'chae was the part
of the building reserved for the head of the household. The
an'chae was the inner living quarters for the head woman of the household and her children. The servants lived in the
haengnang'chae, and the family worshiped the spirits of its ancestors at a shrine called
sadang'chae. A treasure chest like this one was probably used
in the
an'chae. In the center room of the
an'chae quarter, the head woman ran various aspects of the household, most often relating to
clothing and food. This chest would have been useful for holding
clothing, accessories, and valuables.
In traditional Korean houses, shoes are removed before entering,
and people sit on the floor. Tables and chests are typically low to
the ground to be within easy reach of those who are seated.The
people of the household slept on mattresses rolled out on the floor.
Traditionally mattresses and coverlets were folded and stacked on
top of chests similar to this one during the day.
This object is included in Learning from Asian Art: Korea,
a teaching kit developed by the Division of Education and made possible by a grant from the Freeman Foundation of New York and Stowe, Vermont.